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5 July
19:00
2009 | Sunday
Nikolai Rimsky-Korsakov "The Tsar`s Bride" (Opera in four acts). Primorsky Stage of the Mariinsky Theatre presents
Opera in 4 acts
Artists Credits
Opera company
Julia Pevzner, Associated Director
Rimsky-Korsakov, Author libretto
Ekaterina Mironova, Choreography revival
Valery Borisov, Chorus Master
Fyodor Fyodorovsky, Costume Designer
Yelena Zaytseva, Costume Designer
Nonna Fedorovskaya, Designer
Fyodor Fedorovsky, Designer
Damir Ismagilov, Lighting Designer
Gennadi Rozhdestvensky, Musical Director
Boris Khaikin, Musical Director
Vassily Sinaisky, Musical Director
Valery Borisov, Principal Chorus Master
Alyona Pikalova, Revival Designer
Fyodor Fyodorovsky, Set Designer
Alyona Pikalova, Set Designer
Performed in Russian
Premiere of this production: 08 Apr 1966

The performance has 2 intermissions
Running time: 3 hours 25 minutes

Primorsky Stage of the Mariinsky Theatre presents

Libretto by Ilya Tyumenev based on a scenario by the composer after the drama by Lev Mey

Musical Director: Pavel Smelkov
Stage Director: Vyacheslav Starodubtsev
Set and Costume Designer: Pyotr Okunev
Lighting Designer: Sergei Skornetsky
Video Designer: Vadim Dulenko
Assistant Director for Choreography: Sergei Zakharin
Principal Chorus Master: Larisa Shveikovskaya

Mariinsky Theatre Primorsky Stage Orchestra
Conductor: Pavel Smelkov


© Photo by Damir Yusupov

Synopsis

Act I

The Carousal 
Chamber in Oprichnik Grigory Gryaznoy’s house. Grigory is plunged in deep thought. He has fallen passionately in love with Marfa, daughter of the merchant Sobakin, but she is already betrothed to the young boyar, Ivan Lykov. In order to put his love out of his mind, Grigory decides to organize a drinking-party. One of his guests is the Tsar’s foreign physi­cian, Bomelius; Gryaznoy has an important matter to discuss with him.

His guests start arriving: the oprichniks led by Malyuta Skuratov, Gryaznoy’s friend, Ivan Lykov and the long-awaited Yelisey Bomelius. Lykov tells the assembled company of the for­eign parts from whence he has recently returned. Psaltery players and singers entertain the guests with songs and dancing. The guests sing the praises of their sovereign, Ivan the Terrible.

During the revelries, Malyuta mentions Lyubasha. "Who is Lyubasha?" Bomelius asks. "Gryaznoy’s mistress, a right bonny lass!" Malyuta replies. Gryaznoy calls Lyubasha and, at Malyuta’s request, she sings a song about the bitter fate of a girl who is forced to marry a man she doesn’t love. The carousal comes to an end and the guests depart. Gryaznoy detains Bomelius. Lyubasha, sensing that something is wrong, hides and listens to their conversation. Graznoy asks Bomelius for a love potion. The physician promises to provide him with a powder which has the power to arouse love in a girl’s heart. After Bomelius has gone, Lyubasha accuses Grigory of having fallen out of love with her. But Grigory doesn’t listen. He can think of nothing else but his passion for Marfa. The bells sound for the early morning service. Grigory departs leaving Lyubasha alone with her despair. She cannot live without Grigory’s love. Lyubasha vows she will seek out the girl who is the cause other troubles and bewitch her away from Gryaznoy.

Act II

The Love Potion 
A street in the Alexandrov sloboda. The parishioners are coming out of the monastery after the evening service. The oprichniks turn up: they are concocting some new mischief against the boyars. The common people try to keep out of their way: they fear both the boyars and the oprichniks, loyal servants to the stern Tsar.

Marfa, accompanied by Dunyasha and Petrovna, the house­keeper, come out of the monastery gates. At the porch of her house, Marfa stands talking to her friend other betrothed, Ivan Lykov. Suddenly someone in a black monk’s cassock and skull­cap appears through the monastery gates and walks slowly along the street. Marfa’s eyes meet those of the monk. She doesn’t rec­ognize Ivan the Terrible but the stranger’s intent gaze frightens her. It is only when she catches sight of her father and her betrothed, who are approaching the house, that she calms down and forgets her weird encounter. Sobakin invites Lykin into the house and the girls follow them in. Dusk is falling. A shadow is circling round the Sobakin house. It is Lyubasha. She cautiously steals up to the porch: she wants to have a look at her rival. Having peeped through the lit-up win­dow, Dunyasha clams down: "Is that Marfa? There is no need for me to worry then, Grigory will soon tire other!" But, peep­ing again through the window, Dunyasha realizes she has mis­taken Dunyasha for Marfa. Dunyasha is struck by Marfa’s beau­ty. "He won’t fall out of love with her in a hurry. I’ll soon show her, though!"

Out of her mind with despair, Lyubasha rushes to Bomelius’s house. Bomelius appears in answer to her call. Lyubasha begs him to sell her a potion which will destroy human beauty. Bomelius agrees, demanding in return Lyubasha’s love. Indignant, Lyubasha wants to leave, but Bomelius threatens to tell Gryaznoy what she has asked him for.

The sound of Marfa’s laughter coming from the Sobakins house, makes Lyubasha agree to Bomelius’s terms. Bomelius goes off to mix the potion, leaving Lyubasha alone with her oppressive thoughts. At this point, Lykov leaves the Sobakin household accompanied by the master of the house. Learning from their conversation that Grigory is expected at Marfa’s home the next day, Lyubasha renews her pleas for a potion: Bomelius has now reappeared. Bomelius tries to drag the des­perate girl into his house, but the sound of the oprichniks singing in the distance stays his hand. Lyubasha is about to rush towards the oprichniks, where she will find Grigory, when she remembers he no longer loves her and comes to a halt. Bomelius hides by the door, waiting for Lyubasha. Lyubasha forces herself to go to the physician. She feels as if she is going to her execution. The oprichniks appear in the street. Led by Malyuta, they are on their way to massacre the seditious boyars. The light goes out in Bomelius’ house.

Act III

Druzhka 
Chamber in Merchant Sobakin’s house. Sobakin tells Ivan Lykov and Gryaznoy that Marfa, together with Dunyasha and the boyars’ daughters, have been summoned to the palace for the Tsar intends to choose himself a bride. This alarms both Lykov and Gryaznoy. Sobakin tries to calm down Lykov. Echoing Sobakin’s sentiments, Gryaznoy sug­gests he be druzhka (one of the participants, representing the bride­groom, in the old wedding rites) at Lykov’s wedding. But as he congratu­lates Lykov, there is a mocking intonation in his voice. Domna Saburova, Dunyasha’s mother, appears. She describes how the ceremony for choosing the Tsar’s bride went. The Tsar hardly glanced in Marfa’s direction, but he paid Dunyasha a lot of attention, joking and talking with her. Lykov sighs with relief.

Grigory fills two goblets, he intends to drink a toast to the bride and bridegroom. Unnoticed, he pours the powder that Bomelius has given him into Marfa’s goblet - the love potion. As soon as Marfa, who has returned from the palace together with Dunyasha, enters the room, Grigory congratulates the couple and gives then each a goblet. In accordance with tradition, Marfa drinks her goblet dry. Everyone congratulates Marfa and Lykov. Saburova strikes up a song in honor of the bride in which the latter’s friends join in.

Suddenly, Petrovna rushes into the room and falls at Sobakin’s feet. "The boyars are on their way to you bearing a message from the Tsar!" "To me? You are out о your mind, woman!" Sobakin exclaims.

Malyuta appears with the boyars and proclaims the Tsar’s will - Marfa is to be his wife.

Act IV

The Bride 
The Tsar’s chamber where Marfa, the Tsar’s bride, is now living preparatory to her wedding. An unknown ailment afflicts her. Bitter fears for his daughter give Sobakin no peace. Domna Saburova tries in vain to allay his anxiety. Gryaznoy appears: "The person responsible has confessed to everything and the Tsar’s foreign physician has promised to cure her ailment", he tells Sobakin. Sobakin has no idea who this person is. He makes haste to tell his daughter what he has heard. Marfa, at her wits end, runs into the chamber. She realizes that Lykov has been blamed for her ailment, trying to save him, she pretends to feel quite well again. "I’m quite well, I’m quite well", she says in an agitated voice. But Gryaznoy replies that the Tsar had ordered the execution of Lykov who, according to Gryaznoy, had confessed to giving Marfa a potion, and that he, Gryaznoy, with his own hands had carried out the sentence. Learning of the death of her beloved, Marfa falls unconscious to the floor.

On coming to, Marfa recognizes no one. Mistaking Gryaznoy for Lykov, she converses tenderly with him, recalling the happy hours they have spent together. Shaken by Marfa’s words, Gryaznoy admits that he had slandered Lykov and that he, him­self, and given Marfa the love potion. But Marfa doesn’t hear him, all her thoughts are in the past. She again recalls her childhood, spent in Novgorod, and her betrothed. Gryaznoy is in despair. But before giving himself up into the hands of the oprichniks, he wants to "have things out with" Bomelius who deceived him. "You’d better have things out with me", says Lyubasha who has appeared on the scene. And she tells Grigory how she had substituted poison for the love potion Bomelius had given Grigory and which Grigory had then given Marfa. Grigory kills Lyubasha by plunging his knife into her heart. Grigory bids farewell to Marfa and gives himself up to the oprichniks and Malyuta. But Marfa sees and hears nothing. All her thoughts are in the past, with Lykov. She dies with his name on her lips.

The Tsar's Bride is an opera in four acts by Nikolai Rimsky-Korsakov, the composer's tenth opera. The libretto, by Il’ya Tyumenev, is based on the drama of the same name by Lev Mey. Mey's play was first suggested to the composer as an opera subject in 1868 by Mily Balakirev. (Alexander Borodin, too, once toyed with the idea.) However, the opera was not composed until thirty years later, in 1898. The first performance of the opera took place in 1899 at the Moscow theater of the Private Opera of S.I. Mamontov.

Rimsky-Korsakov himself said of the opera that he intended it as a reaction against the ideas of Richard Wagner, and to be in the style of "cantilena par excellence".

Synopsis

Act I

The Carousal


Chamber in Oprichnik Grigory Gryaznoy’s house. Grigory is desperate: he has fallen passionately in love with Marfa, daughter of the merchant Sobakin, but she is already betrothed to the young boyar Ivan Lykov. In order to put his love out of his mind, Grigory called some guests to a drinking-party. One of them is the Tsar’s foreign physician Bomelius, the other is Lykov. 

The guests arrive, led by Malyuta Skuratov, Gryaznoy’s friend. Lykov who just returned to Russia, tells the assembled company of the life abroad. The guests sing the praises of their sovereign, Ivan the Terrible, drink and dance. 

Malyuta mentions Lyubasha and tells Gryaznoy to call her. “Who is Lyubasha?”, Bomelius asks. “Gryaznoy’s mistress, a right bonny lass!”, Malyuta replies. At Malyuta’s request, Lyubasha sings a song about bitter fate of a girl who is forced to marry a man she doesn’t love. The carousal comes to an end and the guests depart. Gryaznoy detains Bomelius. 

Lyubasha, sensing that something is wrong, hides and listens to their conversation. Gryaznoy asks Bomelius for a love potion. The physician promises to provide him with powder that can arouse love in a girl’s heart. After Bomelius has gone, Lyubasha accuses Grigory of having fallen out of love with her but Grigory won’t listen. He can think of nothing else but his passion for Marfa and leaves when the bells sound for the early morning service. Lyubasha is left alone with her despair. She vows to find the girl who is the cause of her troubles and bewitch her away from Gryaznoy. 

Act II

The Love Potion


A street in the Alexandrovskaya Sloboda. The parishioners are coming out of the monastery after the evening service. At the porch of her house, Marfa stands talking to her friend Dunyasha of her betrothed, Ivan Lykov. A group of Oprichniks appears through the monastery gates. Marfa doesn’t recognize Ivan the Terrible who is leading the group, but the stranger’s intent gaze frightens her. It is only when she catches sight of her father and her betrothed, who are approaching the house, that she calms down. 

Sobakin invites Lykov into the house and the girls follow them in. Dusk is falling. A shadow is circling round the Sobakin house. It is Lyubasha. She cautiously steals up to the porch: she wants to have a look at her rival. Having peeped through the lit-up window, Lyubasha is struck by Marfa’s beauty. The desperate girl rushes to Bomelius’s house. Bomelius appears in asnwer to her call. Lyubasha begs him to sell her a potion which will destroy human beauty. Bomelius agrees, demanding in return Lyubasha’s love. Indignant, Lyubasha wants to leave, but Bomelius threatens to tell Gryaznoy what she has asked him for. The sound of Marfa’s laughter coming from the Sobakins house, makes Lyubasha agree to Bomelius’s terms. The potion is ready, and she goes into his house. 

The Oprichniks appear on the street, coming back from an execution ride. 

Act III

The Best Man


Chamber in Merchant Sobakin’s house. Sobakin tells Ivan Lykov and Gryaznoy that Marfa and Dunyasha have been summoned to the palace along with 10 other girls as the Tsar intends to choose himself a bride. This alarms both Lykov and Gryaznoy. Sobakin tries to calm Lykov down. Gryaznoy offers to be Lykov’s best man at his wedding. 

Domna Saburova, Duniasha’s mother, appears. She describes the ceremony: the Tsar hardly glanced in Marfa’s direction, but he paid Dunyasha a lot of attention, joking and talking with her. Lykov sighs with relief. 

Following the betrothal ceremony rules, Gryaznoy fills two goblets for the bride and bridegroom. Unnoticed, he pours the powder that Bomelius has given him into Marfa’s goblet — the love potion. As soon as Marfa, who has returned from the palace together with Dunyasha, enters the room, Grigory congratulates the couple, hands them their goblets and makes them drink. Saburova strikes up a song in honour of the bride, and all the household joins in. 

Malyuta appears with the boyars and proclaims the Tsar’s will — Marfa is to be his wife. 

Act IV

The Bride


The Tsar’s chamber where Marfa, the Tsar’s bride, is now living before her wedding. But she is ill, and bitter fears give Sobakin no peace. Domna Saburova tries in vain to allay his anxiety. 

Gryaznoy appears, and Marfa comes out of her room, pretending to be well. Gryaznoy tells Marfa that Lykov had confessed to giving Marfa a potion, and that he, Gryaznoy, with his own hands had carried out the Tsar’s sentence. Learning of the death of her beloved, Marfa falls unconscious to the floor. When she recovers, she recognizes no one. Mistaking Gryaznoy for Lykov, she converses tenderly with him, recalling the happy days they have spent together. Shaken by Marfa’s words, Gryaznoy admits that he had slandered Lykov and that he was the one who gave Marfa the love potion. But Marfa doesn’t hear him at all, though. Gryaznoy is desperate with guilt. But before going to his trial, he wants to have his revenge on Bomelius. Lyubasha who has appeared in the palace, tells Grigory how she had substituted poison for the love potion Bomelius had given him, and which Grigory had then given to Marfa. Grigory kills Lyubasha. 

But Marfa sees and hears nothing. All her thoughts are in the past, with Lykov.


Main Stage 1 Teatralnaya ploschad (1 Theatre Square), Moscow, Russia
New Stage Bol'shaya Dmitrovka Street, 4/2, Moscow, Russia
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