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Vitaly Tarashchenko
				Tenor
On completing his studies  at Lvov Music College, he enrolled at the  Moscow State Tchaikovsky  Conservatoire, from which he graduated in 1979  (Hugo Titz’s class).
 In 
1982-1983, he was  probationer at the School for  Perfecting the Professional Skills  of Young Singers, attached  to La Scala (teacher — Giuletta Simonato).
 From 1978-1992, he was soloist with Moscow’s Academic  Stanislavsky and  Nemirovich-Danchenko Music Theatre, where he worked  with conductors  Mikhail Yurovsky and Dmitry Kitaenko, and the directors  Lev Mikhailov  and Harry Kupfer).
 Since 1992, he has been soloist with the Bolshoi Theatre.
On completing his studies  at Lvov Music College, he enrolled at the Moscow State Tchaikovsky  Conservatoire, from which he graduated in 1979 (Hugo Titz’s class).
 In 
1982-1983, he was probationer at the School for  Perfecting the Professional Skills of Young Singers, attached  to La Scala (teacher — Giuletta Simonato).
 From 1978-1992, he was soloist with Moscow’s Academic  Stanislavsky and Nemirovich-Danchenko Music Theatre, where he worked  with conductors Mikhail Yurovsky and Dmitry Kitaenko, and the directors  Lev Mikhailov and Harry Kupfer).
 Since 1992, he has been soloist with the Bolshoi Theatre.
Repertoire
His Bolshoi Theatre repertoire includes the following roles:
 Herman (The Queen of Spades)
 Vaudemont (Iolanta)
 Beppo (Pagliacci)
 Andrei (Tchaikovsky’s Mazeppa)
 Turiddu (Cavalleria Rusticana)
 Vladimir Igorevich (Borodin’s Prince Igor)
 Lensky (Eugene Onegin)
 The Pretender, Shuisky (Boris Godunov)
 Radames (Aida)
 Paolo (Rakhmaninov’s Francesca da Rimini)
 Young Gypsy (Rakhmaninov’s Aleko)
 Mario Cavaradossi (Tosca)
 Ismaele (Nabucco)
 Сalaf (Turandot)
 Grishka Kuterma (Rimsky-Korsakov’s The Legend of the Invisible City of Kitezh and of the Maiden Fevronia)
 
 In 1995, he took part in the premiere of the first Bolshoi Theatre production of the Dmitry Shostakovich’s version of Khovanshchina (conductor Mstislav Rostropovich, director Boris Pokrovsky), singing the part of Andrei Khovansky.
Tours
From  1993, he has made frequent appearances at the world’s leading opera  houses where he has sung the following, among other, roles: The  Pretender (Boris Godunov) at the Teatro Comunale, Florence  (conductor Vladimir Fedoseyev, title role — Ruggiero Raimondi, Marina  Mnishek — Olga Borodina); he sang in the same production, in Paris, with  Paata Burchuladze; in Nice, with Ruggiero Raimondi; in San Sebastian  (Spain), with Evgeny Nesterenko and Lyudmila Shemchuk; and at Vienna  State Opera. At the Teatro Comunale, Florence, he sang at the premiere  of The Tale of Tsar Saltan (1997, Gvidon). He sang Calaf (Turandot) at Dresden State Opera. In the 1998/99 season, he appeared at the Festival of French Radio, in Montpelier, in Mascagni’s Parisina.  In 2000, he sang Herman for Welsh National Opera (conductor Vladimir  Jurowski, director Richard Jones). He later sang this role at The Royal  Opera, London (2001), at Norwegian Opera (Oslo), Lyon National Opera  (2003), Theatre de la Monnaie, Brussels (2005). In 2005, he sang Otello  and Herman at La Scala, Otello at the Glyndebourne Opera Festival and,  the next year, he sang The Pretender (Boris Godunov) at Opera Monte Carlo. In 2007, he sang Agrippa of Nettesheim (The Fiery Angel) at Theatre de la Monnaie, Brussels (conductor Kazushi Ono, director Richard Jones).
Discography
His recordings include:
 Tchaikovsky’s Iolanta (conductor Vladimir Delman, Bmg Ricordi, 1994) Rakhmaninov’s Aleko (conductor Andrei Chistyakov, Le Chant du Monde, 1994)
 Rakhmaninov’s Francesca da Rimini (conductor Andrei Chistyakov, Russian Season, 1994)
 Rimsky-Korsakov’s May Night (conductor Andrei Chistyakov, Russian Season, 1995)
 Tchaikovsky’s The Queen of Spades (conductor Vladimir Fedoseyev, Relief, 2002)© Bolshoi Theatre