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Elena Okolysheva
				Mezzo soprano
In 1990, she completed her training at the Moscow State Conservatoire  and went on to do post-graduate studies there (Elena Obraztsova’s  class). In 1991, she made her debut at the Landes Theatre, Salzburg,  as Emilia in Otello. In the same year she won the Min-On Competition in Tokyo, and later on the Bellini Competition in Italy.
 In 1991, she was accepted as a probationer at the Bolshoi Theatre, being promoted to soloist in 1992.
In 1990, she completed her  training at the Moscow State Conservatoire and went  on to do post-graduate studies there (Elena Obraztsova’s class).  In 1991, she made her debut at the Landes Theatre, Salzburg, as Emilia  in Otello. In the same year she won the Min-On Competition in Tokyo, and later on the Bellini Competition in Italy.
 In 1991, she was accepted as a probationer at the Bolshoi Theatre, being promoted to soloist in 1992.
Repertoire
Her Bolshoi Theatre repertoire includes the following roles:
 Dunyasha, Petrovna (Rimsky-Korsakov’s The Tsar’s Bride)
 Innkeeper, Fyodor (Mussorgsky’s Boris Godunov)
 Laura (Dargomyzhsky’s The Stone Guest)
 Olga (Eugene Onegin)
 Flora (La Traviata)
 Siebel (Faust)
 Polina (The Queen of Spades)
 Ines (Il Trovatore)
 Alice (Lucia di Lammermoor)
 Smeraldina, Nicoletta (Prokofiev’s The Love for Three Oranges)
 Amaranta (Paisiello’s La Molinara)
 Curra, Preziosilla (La Forza del Destino)
 Female street vendor (Desyatnikov’s The Children of Rosenthal)
 Laura (Tchaikovsky’s Iolanta)
 
 Also in repertoire:
 Santuzza (Cavalleria Rusticana)
 Eboli (Don Carlo)
 Ulrica (Un Ballo in Maschera)
 Fenena (Nabucco)
 Azucena (Il Trovatore)
 the mezzo-soprano roles in Verdi’s Requiem, Mozart’s Requiem, Tchaikovsky’s Moskva and Prokofiev’s Alexander Nevsky Cantatas, Pergolesi’s Stabat Mater, J.S. Bach’s St. John Passion, Handel’s Messiah and Judas Maccabaeus, J.S. Bach’s B Minor Mass.
Tours
She has toured with the Bolshoi Theatre Opera Company in Austria, Italy, South Korea, China and Latvia.
 Since 1997, she has had many engagements abroad. She has sang Olga (Eugene Onegin)  at the Paris Opera-Comique and she has appeared in concert programmes  in Amsterdam, Dusseldorf , Antwerp and Brussels. In 1999, she appeared  frequently in the States, including performances of Amneris (Aida)  in the cities of Palm Desert, Kalamaza, New Orleans, Atlanta. She has  toured with oratorio and chamber music programmes in the cities  of Spain. In the Madrid Auditorium Concert Hall, she sang the part  of The Girl (Alexander Nevsky). In 2001, she sang Marina Mnishek (Boris Godunov) in Seoul. In 2004, in the West Palm Beach Concert Hall, she took part in a performance of Tchaikovsky’s Moskva Cantata, and she sang Flora (La Traviata) in the cities of Athens, Atlanta, Stony Brook, Winstom Salem. In 2005, she sang Polina (The Queen of Spades)  at the San Carlo Opera House in Naples (conductor Jerzy Semkow,  director Francesca Zambello). She appeared in solo concerts and sang  Marta (Iolanta) in Tokyo and Nagano. In 2006, she took part  in concert programmes on the stage of the ancient Greco-Roman theatre  in Aspendos (Turkey). In 2007, she appeared at David Oistrakh Festival  in Parnu (Estonia).
Discography
Rimsky-Korsakov’s oratorio From Homer, conductor Evgeny Svetlanov, 1992
 Rimsky-Korsakov’s May Night — Mayor’s sister-in-law, conductor Andrei Chistyakov, 1994
 Le Nozze di Figaro — Cherubino, conductor Oleg Zverev, 1994
 Rimsky-Korsakov’s The Tsar’s Bride — Dunyasha, conductor Andrei Chistyakov, 1996
 Tchaikovsky’s music for Alexander Ostrovsky’s drama The Snow Maiden — Lehl, conductor Igor Golovchin, 1996
 Rimsky-Korsakov’s Vera Sheloga — title role, conductor Igor Golovchin, 1997
 Arias by Russian and Foreign Composers, conductor Nikolai Alexeyev, 1999
 M. Fyodorova’s rock-opera I Will Wait for You — The Mother, 1999
 Tchaikovsky’s Romances, I. Solovyova (piano), 2004.(c) Text by Bolshoi Theatre